Skip to main content

Blackout Poetry Project

This community project offers a chance to interact with and reinterpret T.S. Eliot’s collected works. Participants will engage with his iconic works, and his visions of a world in political and ecological turmoil using new media and visual expression to say something entirely new. After each stunning, idiosyncratic, vibrant, haunting, or hilarious page is made, we will gather them into a new collection of poetry and art that could only have been made by our community.

Collectively, our community will respond to T.S. Eliot’s visions of the future—our present.

What

This is a project where we’ll be making blackout poems directly on the pages of T.S. Eliot’s collected works. A blackout poem in its simplest form needs only a page and a marking tool (pencil, marker, correction pen, etc.) You hide some words to make a poem out of what is left behind. You can stop there, or you can take it further and add some art!

How

Take one of the pages from our pile in the Boutelle-Day Poetry Center or other locations around campus. We’ll have some art supplies in the Boutelle-Day Poetry Center (Wright Hall), or visit the Design Thinking Initiative (Capen Annex) and explore their trove of materials!

Who

Everyone is welcome to participate! Whether you're a student, faculty, staff, an alum, or just stopping in, we'd love for you to contribute to this project! By participating in this project, participants agree to allow their work to be posted on BDPC social media, and later assembled into a collection that will be housed in the Mortimer Rare Books collection at the library.

When

We’ll be collecting these all year, through June 1, 2025!

The Waste Land

This community project offers visitors to the Boutelle-Day Poetry Center a chance to interact with and reinterpret the works of T.S. Eliot, one of the 20th century’s most prominent voices. Critic Helen Vendler described her first experience of Eliot’s “The Waste Land” as “rich, tragic, learned, hopeless, and musical.” Eliot’s works are often fragmented and polyvocal, mixing different registers of speech—this project offers community members and visitors a chance to respond to these poems’ fragmentary natures and bring their unique voices and perspectives into conversation with them.

The Process

The Boutelle-Day Poetry Center and the Design Thinking Initiative will have stations with pages from T.S Eliot’s collected works and a variety of materials available for creating your own responses. We plan to display them outside of the Boutelle-Day Poetry Center in Wright Hall (and occasionally feature them on Instagram), and when everything is done, put the pages back together to create a whole new document.

This project is open to all, including the Smith community, alums and visitors to the Boutelle-Day Poetry Center.

This project is open to the Smith community and visitors to the Boutelle-Day Poetry Center.

Guidelines

  • Choose one side of the page to hold your primary design.
  • By participating in this project, participants agree to allow their work to be posted on social media, and assembled into an object that will be housed in the Mortimer Rare Books collection at the library.
  • If you wish to be credited, please write your name legibly on the back. (If you want us to tag you on instagram, please include your IG handle!)
  • What you do to alter the text is up to you! Here are some strategies to get you thinking:
    Cover words or blank space with whiteout pen or tape, marker, colored pencil, cut/torn paper, washi tape, images from books or magazines, string, embroidery, photos or film negatives, buttons, beads, dried & sealed plant material.
  • Please take no more than 2 pages; we want to have enough for everyone!
  • Please put completed pages on the paper tray or windowsill in the Boutelle-Day Poetry Center so we can collect them.

Project Examples

Check out some examples of submissions from the PostEmily blackout poetry project.