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Celebrating Pianos! Busoni & His Muses

A Festival Commemorating the Centennial of Ferruccio Busoni’s Death

November 9–10, 2024
Sweeney Concert Hall, Smith College

About the Festival

Arguably the greatest pianist of his time, the legacy of Ferruccio Busoni (1866–1924) is perpetuated through his popular piano transcriptions and futuristic musical thinking. Commemorating the centennial of Busoni’s death, Smith College Music Department will present a two-day festival that explores Busoni’s musical roots and the formation of his musical identity in fin de siècle.

Curated by pianist Jiayan Sun, Assistant Professor of Music and Associate Chair for Performance Activities, guest artist Elizabeth Chang and Smith faculty artists will present two concerts featuring Busoni’s original compositions and transcriptions, interspersed with works that served as sources for his inspirations. Busoni scholar Erinn Knyt will give a lecture to illustrate the fascinating connections between Busoni and Franz Liszt.

Schedule of Events

Saturday, November 9

Lecture

Franz Liszt’s Heir: Ferruccio Busoni and Weimar
6:30 p.m.
Erinn Knyt, a distinguished Busoni scholar and Professor of Music History at the University of Massachusetts Amherst, will illustrate how Liszt’s Weimar years became models for Busoni as he sought to position himself as a prominent performer-composer-conductor-teacher-musical authority at the turn of the century.

Piano Recital

7:30 p.m.
Through a fascinating array of Busoni’s original compositions and transcriptions, pianist Jiayan Sun will reveal how Busoni was guided and inspired by Johann Sebastian Bach, Wolfgang Amadeus Mozart, Franz Liszt, and traditional Native American music. The recital will be the CD release concert for Sun’s latest album, Busoni and His Muses, recently released on Bridge Records.

Johann Sebastian Bach (1685–1750), ed. Ferruccio Busoni (1915)
Chromatic Fantasia and Fugue, BWV 903

Ferruccio Busoni (1866–1924)
Toccata: Preludio–Fantasia–Ciaconna, BV 287 (1920)
Elegy no. 7: Berceuse, BV 252 (1909)
Fantasia nach Johann Sebastian Bach, BV 253 (1909)

Franz Liszt (1811–1886), ed. Ferruccio Busoni (1912)
Fantasie über Zwei Motive aus Mozart’s ‘Die Hochzeit des Figaro’, S. 697 (1842)

Intermission

Ferruccio Busoni
Indianisches Tagebuch, Book 1, BV 267 (1915)
Sonatina no. 6: Kammer-Fantasie über Bizets ‘Carmen’, BV 284 (1920)

Franz Liszt (1811–1886), ed. Ferruccio Busoni (1917)
Réminscences de Don Juan, S. 418 (1841)

Sunday, November 10

Pre-Concert Discussions

2 p.m.
Pianists Albert Cano Smit, Yang Liu, and Jiayan Sun will discuss Busoni’s legacy as a pianist-composer and reflect on its relevance to musicians today.

Chamber Music Concert

3 p.m.
Featuring guest violinist Elizabeth Chang, Smith faculty artists mezzo-soprano Katherine Saik DeLugan, pianists Albert Cano Smit, Yang Liu and Jiayan Sun, the program will present Busoni’s magnificent second Violin Sonata, his Mozart transcriptions for two pianos, songs inspired by Byron’s Hebrew Melodies, and his magnum opus based on Bach’s The Art of Fugue, Fantasia Contrappuntistica.

Wolfgang Amadeus Mozart (1756–1791), transcribed by Ferruccio Busoni (1922)
Fantasie für eine Orgelwalze, K. 608 (1791)
Yang Liu, piano I; Jiayan Sun, piano II

Ferruccio Busoni (1866–1924)
Sonata no. 2 for Piano and Violin, op. 36a, BV 244 (1898–1900)
Elizabeth Chang, violin; Jiayan Sun, piano

Intermission

Wolfgang Amadeus Mozart, transcribed by Ferruccio Busoni (1919)
Duettino concertante nach Mozart
Based on the finale of Mozart’s Piano Concerto no. 19 in F Major, K. 459 (1784)
Jiayan Sun, piano I; Yang Liu, piano II

Ferruccio Busoni
Zwei Lieder aus den hebräischen Melodien von Lord Byron, op. 15, BV 202
Ich sah die Thräne | I saw thee weep
An Babylons Wassern | By the Rivers of Babylon
Katherine Saik, mezzo-soprano; Jiayan Sun, piano

Fantasia contrappuntistica, BV 256b (1910; two-piano version 1921)
Jiayan Sun, piano I; Albert Cano Smit, piano II

About the Guest Artists & Scholars

Elizabeth Chang

Elizabeth Chang enjoys a varied career as performer, teacher, and arts administrator. In addition to her position as Professor of Violin at the University of Massachusetts Amherst, she serves on the faculty of the Pre-College Division of the Juilliard School. Ms. Chang has embraced leadership roles in the arts community, currently serving as Artistic Director of Green Mountain Chamber Music Festival, founder and director/co-director of Lighthouse Chamber Players, Five College New Music Festival, and UMass Amherst Bach Festival and Symposium. She has an active chamber music career, collaborating with some of the most prominent artists in the field, and has appeared as soloist, chamber musician and master class teacher in South America, Europe, and Asia. In 2024, Ms. Chang went on recital tours of Brazil, China, and Southeast Asia with pianist Jiayan Sun and released the CD Sonatas and Myths: Works by Szymanowski, Dohnanyi, and Bartók with Bridge Records in collaboration with pianist Steven Beck.

Erinn E. Knyt

Erinn E. Knyt is Professor of Music History at the University of Massachusetts Amherst. She received her B.A. in music with highest honors (U.C. Davis), an M.M. in music (Stanford University), and a Ph.D. in music and humanities (Stanford University).

Knyt specializes in nineteenth- and twentieth-century music, aesthetics, music history pedagogy, performance practice issues, and Bach reception, and has written extensively about Ferruccio Busoni. Her first book, Ferruccio Busoni and his Legacy (Indiana University Press, 2017), which explores Busoni’s relationship with early and mid-career composition mentees, was awarded an AMS 75 Pays Endowment Book Subvention. Knyt’s second book, Ferruccio Busoni as Architect of Sound (Oxford University Press, 2023) and her third book, Johann Sebastian Bach’s “Goldberg Variations” Reimagined (Oxford University Press, 2024), both received American Musicological Society subventions. Knyt was honored with the 2018 American Musicological Society Teaching Award.

Participating Smith Faculty Artists

Albert Cano Smit

Albert Cano Smit has “established himself as an artist to watch,” (Montreal Gazette), having won first prizes at the 2019 Young Concert Artists International Auditions and the 2017 Walter W. Naumburg Piano Competition. Notable engagements include appearances with the San Diego, Seattle, Barcelona, Albany, and Montreal Symphonies, and Las Vegas and Rochester Philharmonics. He has given recital and chamber performances across the United States at the Kennedy Center, Merkin Concert Hall, Steinway Society–The Bay Area, Bravo! Vail Festival; in France at the Wissembourg Festival and Fondation Louis Vuitton; at Germany’s Rheingau Music Festival; in Xiamen, China; and throughout Spain.

Born in Geneva, the son of a Dutch mother and Spanish father who settled in Catalonia, he left home at nine to join the Escolania de Montserrat choir school. His piano studies took him to Juilliard, where he finished his artist diploma under the tutelage of Robert McDonald. He was awarded Juilliard’s Arthur Rubinstein Piano Prize in 2020, and is currently Iva Dee Hiatt Visiting Artist in Piano and Lecturer in Music at Smith College.

Yang Liu

Pianist Yang Liu attracts worldwide audiences with her profound musicianship and extraordinary virtuosity. “Her performance was incredibly expressive… effortlessly moving from delicate flourishes to pounding intensity…” (Toronto Star). She has performed extensively throughout the US, Europe, and China at numerous prominent venues, and has won many prestigious competitions, including the first prize at the Toronto International Piano Competition, among others. In 2022, Naxos Records released her album “Schubert: German Dances, Ländlers, and Écossaises,” and QQ Music in China released her album “Dancing on the Keys, Volume I.”

A graduate of The Juilliard School, Yale School of Music, and Peabody Institute–Johns Hopkins University, Yang Liu is also a devoted educator. She is on the piano faculty at Smith College while teaching actively in the New York region. Her students have won international competitions and been accepted into top conservatories. Yang Liu is a Steinway Artist.

Katherine Saik DeLugan

Katherine Saik DeLugan, mezzo-soprano, is a cross-genre vocalist and teacher who currently serves as a Core Lecturer in Music at Smith College. She holds a Bachelor of Music from UMass Amherst, and a Master of Music from the Manhattan School of Music where she focused on classical music and opera performance. As a graduate student, she was the second-place winner in the Alan and Joan Taub Ades Vocal Competition and first-place winner in the Eisenberg-Fried Concerto Competition.

Since returning to the Pioneer Valley, Katherine has been active in local and regional performing arts. She has appeared as a concert soloist with many regional orchestras, choirs and colleges. She has also appeared in several operas including La bohème (Mimi), Pagliacci (Nedda), Idomeneo (Idamante), Le Nozze di Figaro (Countess), and Die Walküre (Siegrune). Katherine was one of the artists who premiered a new song cycle “Unsaid Prayers” composed by Nico Gutierrez at Clark University.

Katherine Saik

Jiayan Sun

Praised by the New York Times for his “revelatory” performances, pianist Jiayan Sun has performed with the Cleveland Orchestra, the Hallé Orchestra, the Chinese and RTÉ (Ireland) National Symphony Orchestras, the Fort Worth and Toledo Symphony Orchestras, the Toronto and Aspen Concert Orchestras, and he has conducted the Meiningen Court Orchestra from the keyboard. As a Steinway Artist and a prize winner in the Leeds, Cleveland, Dublin, and Toronto International Piano Competitions, his performances have been broadcast by the BBC, the RTÉ, China Central Television, and classical music radio stations in North America.

Born in Yantai, China, Mr. Sun received the Doctor of Musical Arts degree from The Juilliard School under the tutelage of Yoheved Kaplinsky and Sir Stephen Hough. Currently Assistant Professor of Music and the Associate Chair for Performance Activities at Smith College, he has performed Beethoven’s complete piano sonatas, in addition to presenting recital series devoted to the works by Schubert and Chopin.