Book Studies Concentration

AMS 302 Seminar: The Material Culture of New England, 1630–1860 (4 Credits)

This course examines the material culture of everyday life in New England from the earliest colonial settlements to the Victorian era. It introduces students to the growing body of material culture studies and the ways in which historic landscapes, architecture, furniture, textiles, metalwork, ceramics, foodways and domestic environments are interpreted as cultural documents and as historical evidence. Offered on-site at Historic Deerfield (with transportation available from the Smith campus), the course offers students a unique opportunity to study the museum’s world-famous collections in a hands-on, interactive setting with curators and historians. Utilizing the disciplines of history, art and architectural history, anthropology, and archaeology, students explore the relationships between objects and ideas and the ways in which items of material culture both individually and collectively convey patterns of everyday life. Restrictions: Juniors and seniors only. Enrollment limited to 12. Instructor permission required. {A}{H}

Spring

ARH 247 Colloquium: The Art and History of the Book (4 Credits)

Will books as material objects disappear in the near future? Or will the book, a remarkably long-lived piece of communication technology, continue to flourish and develop alongside its electronic counterparts? This course surveys the artistry and history of books from the ancient world through medieval manuscripts, hand press books and machine press books, to the digital media of today. Students discover how books were made, read, circulated and used in different eras, and explore the role they have played over time in social, political, scientific and cultural change. The course involves extensive hands-on work with books and manuscripts from across the centuries and sustained engagement with current debates about book, print and media culture. Instructor permission required. Enrollment limited to 12. {A}{H}

Spring

ARH 290lb Colloquium: Topics in Art History-The Presence of the Past: Libraries as a Building Type in the Ancient Mediterranean World (4 Credits)

This course looks at the famed third-century BCE library at Alexandria, Egypt, precedents like the library of the Assyrian king Assurbanipal at Nineveh (with epics and omen texts on clay tablets) and later extant examples like the Library of Celsus at Ephesus to discuss the development of the library as a public building type. The class also compares later innovations like Labrouste’s Bibliothèque Sainte-Geneviève in Paris, Snøhetta’s award-winning 2002 Bibliotheca Alexandrina (on the site of the ancient library) and Maya Lin’s renovation of Neilson Library, analyzing how the buildings themselves make knowledge manifest. Restrictions: ARH 290 may be taken for credit a total of 4 times with different topics. Enrollment limited to 20. Counts for ARU. {A}{H}

Fall, Spring, Variable

ARS 275 The Book: Theory and Practice I (4 Credits)

(1) Investigates the structure of the book as a form; (2) provides a brief history of the Latin alphabet and how it is shaped calligraphically and constructed geometrically; (3) studies traditional and non-traditional typography; and (4) practices the composition of metal type by hand and the printing of composed type on the SP-15 printing presses. A voluntary introduction to digital typography is also offered outside class. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 12. Instructor permission required. {A}

Fall, Spring

ARS 277 Woodcut Printmaking (4 Credits)

Relief printing from carved woodblocks can create images that range from precise and delicate to raw and expressionistic. It is a direct and flexible process that allows for printing on a variety of materials at large and small scales. Students use both ancient and contemporary technologies to produce black and white and color prints from single and multiple blocks. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Prerequisite: ARS 163 or ARS 172, or equivalent. Enrollment limited to 15. Instructor permission required. {A}

Fall, Spring, Annually

ARX 120/ BKX 120/ MUX 120 Colloquium: Concentration Gateway Course (2 Credits)

Offered as ARX 120, BKX 120 and MUX 120. This course serves as a shared gateway for the Archives, Book Studies and Museums concentrations. Students explore histories, futures and systems of knowledge production, preservation, organization and distribution through the kinds of objects and evidence held by archives, libraries and museums. As evidence of their evolving and complex operations, this course introduces the history of such institutions, their evolving public mission, issues central to their work today, and the creation and uses of materials they hold. The course critically engages the emergence of such institutions, specifically within this regional context and in this framework of a college campus. S/U only. Enrollment limited to 25. (E)

Fall, Spring, Annually

BKX 202/ PYX 202 The Chapbook in Practice: Publishing (2 Credits)

Offered as BKX 202 and PYX 202. This course focuses on various professional practice aspects of publishing, including manuscript submissions, selection, poetry craft and literary citizenship, through Nine Syllables Press, in partnership with the Boutelle-Day Poetry Center. Students learn about the publishing industry and contemporary US poetry landscape. Students have the opportunity to directly participate in reading and selecting manuscripts for a chapbook to be published by Nine Syllables Press. Preference given to Poetry and Book Studies concentrators. Cannot be taken S/U. ENG 112 or BKX 140 recommended but not required. Instructor permission required. (E)

Fall

BKX 203/ PYX 203 The Chapbook in Practice: Design (2 Credits)

Offered as BKX 203 and PYX 203. This course focuses on various professional practice aspects of publishing, including manuscript selection, book design and production, and product marketing and distribution, through Nine Syllables Press, in partnership with the Boutelle-Day Poetry Center. Students learn about the publishing industry and contemporary US poetry landscape. Students have the opportunity to learn about and practice designing professional chapbook interiors and covers, producing and marketing chapbooks for a selected manuscript from Nine Syllables Press. Cannot be taken S/U. Priority given to BKX and PYX concentrators. Enrollment limited to 15. Instructor permission required. (E)

Spring

EAL 360bh Seminar: Topics in East Asian Languages and Literatures-Book History and Print Culture in East Asia (4 Credits)

This course explores print and media cultures of the 16th through the 20th centuries in China, Japan, Korea and Taiwan. Students read literary and popular works in the context of the cultural, intellectual and technological transformations that defined these texts' creation, circulation and reception. Students study historical and theoretical scholarship on topics such as language reform, the book market and changing literacies for men and women. The course also considers how media developments shape the experience of Asian modernity. All readings in English translation. Prerequisite: one 200-level EAL course or equivalent. Restrictions: Juniors and seniors only. Enrollment limited to 12. Instructor permission required. {L}

Fall, Spring, Variable

EDC 338 Children Learning to Read (4 Credits)

This course examines teaching and learning issues related to the reading process in the elementary classroom. Students develop a theoretical knowledge base for the teaching of reading to guide their instructional decisions and practices in the classroom setting. Understanding what constitutes a balanced reading program for all children is a goal of the course. Students spend additional hours engaged in classroom observations, study-group discussions, and field-based experiences. Prerequisite: EDC 238. Juniors, seniors and graduate students only. Instructor permission required. {S}

Fall

ENG 207/ HSC 207 The Technology of Reading and Writing (4 Credits)

Offered as ENG 207 and HSC 207. An introductory exploration of the physical forms that knowledge and communication have taken in the West, from ancient oral cultures to modern print-literate culture. The main interest is in discovering how what is said and thought in a culture reflects its available kinds of literacy and media of communication. Discussions to include poetry and memory in oral cultures; the invention of writing; the invention of prose; literature and science in a manuscript culture; the coming of printing; changing concepts of publication, authorship, and originality; movements toward standardization in language; and the fundamentally transformative effects of electronic communication. {L}

Fall, Spring, Alternate Years

ENG 238 What Jane Austen Read: The 18th-Century Novel (4 Credits)

A study of novels written in England from Aphra Behn to Jane Austen and Walter Scott (1688-1814). Emphasis on the novelists’ narrative models and choices; the course concludes by reading several novels by Austen-including one she wrote when 13 years old. {L}

Fall, Spring, Alternate Years

ENG 312 Seminar: Seminar: Converts, Criminals and Fugitives: Print Culture of the African Diaspora, 1760–186 (4 Credits)

This course explores the varied publications produced by people of the African diaspora in the U.S., Canada, the Caribbean, and England--early sermons and conversion narratives, criminal confessions, fugitive slave narratives and the black press. The class considers these works in terms of publishing history, editorship (especially women editors), authorship, readership, circulation, advertising, influence, literacy, community building, politics and geography and examines the engagements with such topics as religion, law economics, emigration, gender, race and temperance. Smith’s manuscript and periodical holdings offer a treasure trove of source materials. Restrictions: Juniors and seniors only. Enrollment limited to 12. Instructor permission required. {L}

Fall, Spring, Variable

ENG 365fr Seminar: Topics in 19th Century Literature-Frankenstein: The Making of a Monster (4 Credits)

This seminar explores the creation and afterlife of Frankenstein, Mary Wollstonecraft Shelley’s extraordinary first novel (written at age 19) about monstrosity and the experience of feeling not quite human. The class reads Shelley’s novel closely, consider its literary and historical influences (including writing by her parents and friends) and investigates its monstrous legacy (in film adaptations, novels, poems, comics and popular culture). More than 200 years after it was written, this early science fiction novel continues to speak to the most urgent questions about gender, reproduction, science, technology, race, animality, disability, violence, justice and belonging. Restrictions: Juniors and seniors only. Enrollment limited to 12. Instructor permission required. {L}

Fall, Spring, Variable